Content © Veretski Pass © Design www.fidlweb.com
The Magid Chronicles
The latest project of Veretski Pass,
with Joel Rubin:
“The Magid Chronicles”
Veretski Pass, with Joel Rubin, has embarked on uncharted territory with their new project dedicated to performing the pieces collected by Sofia Magid, the Jewish ethnographer who worked intensively to document Jewish music in Belarus and Ukraine during Stalin’s regime in the 1920s and 30s. Magid’s 600 recordings include music that was not only collected by a woman, but that also feature rare examples of women’s themes. Veretski Pass’ and Joel Rubin’s work involves cleaning, deciphering and transcribing the dubs of the cylinders, then arranging, performing and recording them, and finally teaching them to workshop students.
An important facet of the project is the cadre of new compositions, improvisations, and re-compositions derived from and/or inspired by the Magid collection and drawing on traditions and cultures as diverse as Romanian, Turkish, Greek, and Hutsul traditions. Although derived largely from ethnographic work, this work is essentially a creative re-imagination of the material.
The new CD recording of this project is available NOW!
Veretski Pass
This project is made possible in part by a grant from the Alliance for California Traditional Arts, The Berkeley Civic Arts Grant , Intermusic SF and the The Lowell Milken Fund for American Jewish Music. The Magid Chronicles is a fiscally sponsored project of KlezCalifornia
with Joel Rubin
Veretski Pass | Band@veretskipass.com
Source: Unser Rebbe, Unser Stalin...Harrassowitz Verlag, 2008 by Elvira Grozinger, Susi Hudak-Lazic
The Magid Chronicles is made possible through the Musical Grant Program, which is administered by the San Francisco Friends of Chamber Music, and supported by the Heller Foundation, the Hewlett Foundation, the San Francisco Foundation and San Francisco Grants for the Arts.”